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February 2006

Local Character

By Amanda Axelson
A still from After June.

Boston-based filmmaker/teacher Mike Civille reflects on his career and latest project produced and shot entirely in New England, After June.

After June is a short film about three old friends who meet for an afternoon of furniture moving, petty theft and fortune telling. The life-changing day starts when Jamie tells June he’d help her move. Jamie calls on Ben and Lewis for help and the three find themselves in an awkward reunion with stirrings of their old friendship in the air. The friends encounter a predicament when Lewis finds money in an unlocked apartment in the building. After splitting the money, June offers to read their fortune with tea leaves. read more...

Wake Up Mr. Listener

By Erin Trahan

Former Northeastern University quarterback Byron Hurt takes a critical look at men, masculinity, and hip-hop culture with the Sundance premiere of his new documentary, Beyond Beats and Rhymes.

Beyond Beats and Rhymes: A Hip-Hop Head Weighs In On Manhood In Hip-Hop Culture is filmmaker/activist Byron Hurt’s examination of the lyrics, images, and systems that together define manhood for hip-hop culture. He grew up on this music and his investigation comes from a place of love. He’s just tired of the rules being so narrow, "You have to be strong, you have to have girls, you have to have money... you have to dominate other men," he explains as the film opens. He moves from personal testimony to interviews with read more...

Media Revolution: Podcasting (Part 2)

By Steve Garfield and David Tames
A stil from the video podcast for Four Eyed Monsters.

In part two of this two-part article we focus on video podcasting.

In Part 1 of this article we introduced audio and video podcasting and provided some examples of what's out there with an emphasis on audio podcasts. Now we look at video podcasting in more detail, provide a glimpse of some video podcasts, and offer some suggestions how you, as a filmmaker, can harness the technology, either to promote your film, or as a new medium for expression.

Your favorite show, reloaded

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How to Be an... Associate Producer

By Ellen Mills
A still from One Sung Hero.

If you organize like a PDA, change gears like a sport scar, have the stamina of a marathon runner and can talk to everyone from the Production Assistant to the Director, then you may have what it takes to be an Associate Producer. As AP on the film One Sung Hero which screened at Sundance 2006, Will Fraser tells us what to expect from the job and what the job demands from you.

Long before the director utters the first "action" of the day, the Associate Producer has already put in hours, days and even weeks of work. He or she may have secured the location, drawn up the equipment lists, scheduled the cast and crew and arrived first on the set with the Production Assistants and the catering truck. As Will Fraser, an experienced Associate Producer says, "It helps to have a positive attitude."

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Writer's Experience

By Randy Steinberg

Boston University aims to equip writers with both academic experience and industry expertise during their new intensive summer Screenwriting Institute for aspiring writers.

Beginning this May, Boston University’s Summer Term will offer an intensive eight-week institute in screenwriting. BU’s College of Communication (COM), which is co-sponsoring the program, will contribute the power of its connections with the film-making community. Promising scripts could land in the hands of notable BU alums such as Joe Roth (head of Revolution Studios), director Gary Fleder (Kiss the Girls, Runaway Jury), and a host of other key players in the movie business -- locally and nationally.

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Frame by Frame

By Andrea Maxwell
A still from Never Live Above a Psychic.

Director Steve Gentile speaks about his hand-animation film Never Live Above a Psychic which screened last month at the 2006 Slamdance Film Festival.

When asked about the best part of making his latest film, Never Live Above a Psychic, Steve Gentile said, "Those times, drawing at around midnight, when I should go to bed but I get on a roll and keep going through the quiet, wee hours.  It's a great time to explore the record collection." The hard work was well worth it, as Gentile’s film became part of the Slamdance Film Festival this year. This was his first submission to the festival. The film played four times in Park City, and was also chosen for read more...

Industry News

By Michele (LaMura) Meek
Pledge of Allegiance Blues screens this month.

A report of news & happenings in the local industry for February 2006.

Email news to news@newenglandfilm.com

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Out of the Blue

By Sara Faith Alterman

Connecticut’s Bluefoot Entertainment soars to the top while keeping themselves grounded. Brothers Timothy and Daniel Horgan wax professional.

Imagine building a full service production company from the ground up. How do you picture spending the first year? Building a client base? Beefing up your demo reel? Developing a recognizable brand?

How about winning an Emmy?

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Out-Spoken

By Ann Jackman
A still from Hineini: Coming Out in a Jewish High School.

Filmmaker Irena Fayngold explores the tension between religious belief and sexual identity through the eyes of a teenager coming of age in the modern world in her film Hineini: Coming Out in a Jewish High School.

Adolescence is a time of discovery and formation of one’s identity, and the journey can be equally exhilarating, daunting, and frustrating. All teenagers struggle to find their voice within their particular community and ultimately the wider world. Shulamit Izen (Shula) is no different. Her world, however, happens to be steeped in Jewish tradition, and Shula is a lesbian trying to find where she belongs in the context of that tradition.

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