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July 2004

No Place Like Home

By Desiree Seeman
An image from Helena Schniewind 'other' career as a graphic designer.

For some, the search for success requires leaving home. For others -- like filmmaker Helena Schniewind -- success is found by coming home.  Her film "Fuzzy" screens in a WIFVNE series this month at the Boston Public Library.

After graduating from the University of California, Santa Cruz, Helena Schniewind distanced herself from Hollywood -- literally. As a freshly minted film major, she found no inspiration in Los Angeles and instead joined Boston’s eclectic film community. But in fleeing the "machine," as she called it, Schniewind was really coming home. The Massachusetts native resettled in Somerville, and now, a decade after her return, has returned to her film roots.

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Poetry in Motion

By April Gardner
Louise Bourque's "Just Words."

Filmmaker Louise Bourque addresses the subconscious mind, gender roles, and the concept of home with her innovative work which screens in a WIFVNE series this month at the Boston Public Library.

It’s been said that the next brave new world for filmmakers to explore is the subconscious mind. Most films avoid this frontier because of its challenging complexity; the dominant commercial screenplay allows only for dialogue, not inner monologue, to drive the theme. Enter Louise Bourque, whose stylized form for addressing unresolved tension is guaranteed to elicit an emotional reaction.

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Taking on a New Role

By Randy Steinberg
A still from "The List."

Patty Meyer talks about adding another hyphen in her title as producer-writer-director for the short film, "The List" which screened this June at the Boston International Film Festival.

Los Angeles producer-writer-director Patricia K. Meyer’s career is a study in cross-country travel (not to mention hyphenation). A Los Angeles native, Meyer attended Harvard and Boston University only to return to L.A. upon completion of her studies. But recently, she returned to Boston for the screening of her short film "The List" in this year’s Boston International Film Festival. The festival ran from June 24-27, 2004, and Meyer’s film screened Friday, June 25 along with a number of other shorts.

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Glitzy to Gritty

By Sandy MacDonald
Debra Granik's "Down to the Bown" was one of several impressive films screened at Nantucket Film Festival this past June.

Highlights from the 2004 Nantucket Film Festival.

Year after year (nine so far), the Nantucket Film Festival has pulled off a balancing act that’s the envy -- and inspiration -- of many an imitator. The neat trick that sibling founders Jill and Jonathan Burkhardt came up with, in dedicating their gathering to the unsung gifts of screenwriters, is a forum that’s of sufficient interest to pros yet accessible to mere movie-gluttons.

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The Starlet and the Inventor

By Benjamin Cole
Hedy Lamarr

Just who is the real Hedy Lamarr? Filmmaker Lisa Perkins attempts to answer this question with "Secret Intelligence: The White-Hot Mind of Hedy Lamarr."

Lamar may be known to movie buffs as Hedwig Keisler, her stage name when she appeared in the first feature film nude scene in the 1932 Czech film "Ecstasy." In scientific circles, Lamar may be remembered for patenting an invention during World War II for a radio-guided torpedo that was unjammable.

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Weathering the Storm

By Ellen Mills
Actor Matt Page in "Baby It's Cold Outside."

As they prepare for the premiere of "Baby It’s Cold Outside" at the Maine International Film Festival, the film’s writer/producer (Pam Ross) and director (Polly Bennell) share stories about the trials and tribulations of making the film that are as quirky and comedic as the movie itself.

In her first film, Pam Ross has gathered enough experience to teach a seminar on Filmmaking 101. Most importantly, the businessperson/actor turned screenwriter/producer has learned the most important attribute for completing an independent film: persistence. When her film, "Baby It’s Cold Outside" premieres July 11th at the Maine International Film Festival, it will be after nearly 5 years of work and a host of complications during filming.

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Out of Control

By Sara Faith Alterman
Control Room director Jehane Noujaim, photo courtesy Robin Holland. © Magnolia Pictures

Is there truth in journalism? If so, who's telling it? Filmmaker Jehane Noujaim's new documentary "Control Room" unearths a fresh perspective on Middle Eastern news media and the war that still rages out of American earshot.

Most Americans are at the mercy of television. We rely on media to entertain, to educate, and to inform. The latter is especially relevant in times of military conflict, when the country is dependent on news coverage to keep us up to date on victories and defeats, on casualties and triumphs, and, sadly, the vicious slayings of POWs and the abhorrent corruption within our own military. We take journalism for truth, as it is our primary means of involvement in a war that has spawned controversy across the globe and within our own national boundaries.

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Grant Guidance

By Andrea Maxwell
Filmmakers Steve Gentile and Jim Wolpaw received a MFH grant for "Loaded Gun -- Life, Death and Emily Dickinson."

This segment of the NewEnglandFilm.com funding series profiles the Massachusetts Foundation for the Humanities who offers media grants to help filmmakers help humanity.

What is a humanities project? This is the place to start with when you’re thinking of applying for a Massachusetts Foundation for the Humanities (MFH) Media Grant. The answer starts with community. MFH defines it as a project that sheds light on the history or culture of an area. Humanities include a group’s past, present, languages, ethics, laws, history, finances, architecture, culture, literature, archeology, philosophy, values, religion, arts, sociology, or psychology. Thinking of humanities topics is easier than it seems: if it’s read more...

Industry News

By Melinda Green
"Noise" screens on Saturday, July 31 at 9 pm as part of the Woods Hole Film Festival.

A report of news & happenings in the local industry for July 2004.

Email news to news@newenglandfilm.com

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A Blast of a Bash

By Genevieve Butler
Soup2Nuts's "Home Movies" was one of several animation pieces to screen.

Rhode Island School of Design grads steal the show at the recent New England Animation Bash, presented by the Brattle and Coolidge Corner Theatres.

Animation is alive and well in New England. The success of the first annual New England Animation Bash, a joint effort of the Brattle Theatre in Cambridge and Brookline’s Coolidge Corner Theatre, and a comprehensive celebration of the art, proves it. Features, shorts, TV shows, the traditional and the computer generated and assisted alike, were screened before appreciative and enthusiastic audiences this June. The films also ranged from contemplative to creepy to side-splitting hilarity, and were made by artists as diverse as the many images read more...

Le Cinéma Français

By Chris Cooke
A still from "L'Adversaire."

Reviews of "L'Adversaire," "24 Heures de la Vie d'une Femme" and "Se Souvenir des Belles Choses" -- films screening at the MFA, Boston’s 2003 Boston French Film Festival this month.

For the eighth consecutive July, the MFA Film Program and the Cultural Services of the French Embassy in Boston presents the Boston French Film Festival. One of the world's most extensive showcases of French cinema, it runs from July 10 through July 27 and marks the Boston premier of 27 feature films. Here's a sampling.

L'Adversaire (The Adversary)

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